Think in Color Families, At first glance the home's entryway looks like a riot of color, but after talking to Mele you realize he was actually working with a tight palette. “I wanted a lot of white, first of all, and then a mix of blue and orange,” he reveals. The secret? Working with various hues within each of these two complementary color families. His blues included “cobalt, turquoise, delft, navy. Within the orange family, corals, tangerines, grapefruits. Really rich hues, not muted.” Blue & White Always Works, For Mele, using a combo of blue and white is like “wearing a white shirt with blue jeans, or a navy-blue blazer and a white shirt. It never goes out of style.” The classic color combination in interiors can be similarly dressed up or down. In the living room, Mele used a decidedly denimlike shade of blue grasscloth on the walls to add color and texture, which helps the silhouettes of the white accessories and the wingback chairs really pop. The overall effect is polished yet casual. “I think blue and white is the equivalent of black and white; it's just not as fierce,” says the designer. “It's more welcoming to most people.
Use White to Freshen Things Up, Mele is a huge proponent of painting things white, especially furniture. “I think white modernizes and freshens,” he says. “People are afraid of their old grandmother's found furniture, but their forms are so fabulous and remain timeless. White just gives furniture a contemporary personality, I think. A fresh youthful spirit.” To strike the right color balance in the home's formal dining room, Mele had the dining chairs bleached white from the original brown. Strike a Color-and-Pattern Compromise, When dialing up the pattern, it's sometimes best to dial down the color to achieve a calmer, less chaotic effect. When designing the home's master bedroom, Mele started with a bold, Matisse-esque pattern and made his color choices, or lack thereof, from there. “I just wanted to use that pattern everywhere and not break it up with different colors or patterns,” he says. To that end he refrained from introducing any of the vibrant colors he used on the home's ground floor. “I wanted it to feel a little calmer, quieter, even though it's not a calm, quiet fabric.
Rethink what modern means is a what people mind to new era life. It is commonly supposed that there is a vital difference between ancient ethics and modern morality. For example, there appears to be a vital difference between virtue ethics and the modern moralities of deontological ethics (Kantianism) and consequentialism (utilitarianism). At second glance, however, one acknowledges that both ethical approaches have more in common than their stereotypes may suggest. Oversimplification, fallacious interpretations, as well as a broad variation within a particular ethical theory make it in general harder to determine the real differences and similarities between ancient ethics and modern morality. But why should we bother about ancient ethics at all? What is the utility of comparing the strengths and weaknesses of the particular approaches? The general answer is that a proper understanding of the strengths and weaknesses of virtue ethics and modern moral theories can be used to overcome current ethical problems and to initiate fruitful developments in ethical reasoning and decision-making.
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